Johan Creten (born in 1963) is an artist that has distinguished himself as a strong, enigmatic and intriguing figure in the artistic landscape of recent decades, occupying a singular place on the international scene of contemporary creation. Johan Creten made his mark in the 1980s with his innovative use of ceramics. Today he is considered a leading figure in his renewal in the field of contemporary art. Another side of his work, he uses bronze with virtuosity for the realization of monumental sculptures, including a major example: “De Vleermuis – The Bat”, that will be presented in the gardens of the Villa Medici.
The exhibition “I Peccati” brings together, for the first time and with such breadth in Italy, a collection of fifty-five works by the artist, in bronze, ceramic and resin. They will be reunited and juxtaposed to some historical works by Lucas Van Leyden (1494-1533), Hans Baldung (1484-1545), Jacques Callot (1592-1635), Barthel Beham (1502-1540) and Paul van Vianen ( 1570–1614), milestones underlying Johan Creten’s thinking.
Johan Creten mentions “Slow art” and the need for a return to introspection. A movement, ranging from miniature to monumental figures, which allows you to take time and immerse yourself in an exploration of the world with its individual and societal torments, for a journey filled with surprises and emotions.
The sculptures of Johan Creten made especially for the exhibition between 2019 and 2020 added to the pieces that punctuate his journey from the 80s to the present day, are associated here with 16th and 17th century prints, tapestries and bas-reliefs from his personal collection. These historical works summoned by the artist are a real reference in his creative process. They reveal his concerns, be they artistic, historical, political or philosophical. The intersection of these works in the exhibition upsets our perception through multiple reading points of view which, from the past, question the future of our humanity.
Oct 15, 2020 - Jan 31, 2021 Villa Medici, Rome curated by Noëlle Tissier main photo/ Courtesy Skultur i Pilane