Sasha Wiktor’s (1984) sculptures evoke temptations that escape conventional eroticism. The human-animal hybrids draw on references to medieval art.
Kate Zaniewska
Ceramic figurines arranged on sideboards and bedside tables, are supposed to provide amusement to bourgeois. Velvet-lined fantasies submissively indulge in non-canonical desires flowing straight from the gut.
The entrance is guarded by lascivious sphinxes, and demonically bloody angels hide in plush covers. The hermaphroditic satyr and your mutilated doe sparkle with unique grace. Flanked by busts commemorating the innocent charm of an out-of-category being.