A painting by Katharina Grosse can appear anywhere. Her large-scale works are multi-dimensional pictorial worlds in which splendid color sweeps across walls, ceilings, objects, and even entire buildings and landscapes. For the exhibition It Wasn’t Us the artist has transformed the Historic Hall of Hamburger Bahnhof – Museum für Gegenwart – Berlin as well as the outdoor space behind the building, into an expansive painting which radically destabilises the existing order of the museum architecture.
Over the past twenty years the artist Katharina Grosse (*1961, Freiburg in Breisgau) has presented numerous solo exhibitions. Recent institutional exhibitions and in situ paintings include psychylustro, for Philadelphia Mural Arts Programme (2014); yes no why later at Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Voices, Three Trees at Museum Wiesbaden (2015); Untitled Trumpet for the 56th Biennale di Venezia (2015); Katharina Grosse at Museum Frieder Burda, Baden-Baden (2016); Rockaway! for MoMA PS1’s Rockaway programme in Fort Tilden, New York (2016); Asphalt Air and Hair at ARoS Triennial, Aarhus (2017); This Drove My Mother up the Wall at South London Gallery (2017); The Horse Trotted Another Couple of Metres, Then It Stopped at Carriageworks, Sydney (2018); Wunderbild at National Gallery in Prague (2018/2019); Mumbling Mud at chi K11 art museum in Shanghai (2018/2019) as well as at chi K11 art space in Guangzhou (2019); Mural: Jackson Pollock I Katharina Grosse at Museum of Fine Arts, Boston (2019/2020). Currently her show Is It You? is on view at the Baltimore Museum of Art. She has held professorships at Weißensee Kunsthochschule Berlin (2000–2009) and Kunstakademie Düsseldorf (2010–2018).
ft/ „Katharina Grosse. It Wasn’t Us“, exhibition view Hamburger Bahnhof – Museum für Gegenwart – Berlin, 2020 / Courtesy KÖNIG GALERIE, Berlin, London, Tokyo / Gagosian / Galerie nächst St. Stephan Rosemarie Schwarzwälder, Wien © Katharina Grosse / VG Bild-Kunst, Bonn 2020 / Photo: Jens Ziehe